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The performance Hildegarde de Bingen, Messenger of the Invisible created and performed by Claudine Gérez, alongside musician Vincent Lauth, portrays this woman at the moment when her life shifts from anonymity to fame. Song, music, and dance accompany the monologue play, allowing us to approach this extraordinary personality and her message.

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Danser Marie, danser la femme is a spiritual journey uniting song, dance, and prayer in honor of Mary. It begins with a two-day retreat in the quiet village of Cenves, rooted in reflection and artistic practice.

From this experience emerge a series of Marian vigils held in local churches across the Beaujolais region. 

Danse mystique de consécration.

"Chanter c'est prier deux fois." - Saint Augustin ; alors danser c'est prier trois fois ?

Résidence artistique et spirituelle avec la communauté du chemin Neuf. 

BEYOND is a journey to the frontiers of the visible and the invisible through shamanism and trance dance with the formidable Karine La Main Bienveillante, shaman and therapist.

An homage to all the bureaucratic workers in the tertiary middle. Edging to clinical depression, teetering between reality and spontaneous breaking down imagination, how to find the balance when our mind has been condensed and framed in folder’s conformity ?

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In a corrupted world, in which businessmen, and politicians were having economical agreements despite of ecological and environmental crisis, a woman wakes up one other morning to fit in this capitalistic society.

She is one of the hundred million employees who suffer from this implicit pandemia, the burnout.

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To be as precise, efficient, and perfectionist as possible demands some sacrifices in which the pleasures of life and well-being do not find the space.

Running to be paid a minimum salary, responding to a consumerist lifestyle demands stamina, devotion, and hard working. The souls and the minds get framed, educated, and shrunk at expense of free-thinking, life’s true purpose, and delights.

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One more day in which a woman wakes up to climb on the top of the pyramid of hierarchy.
Climbing for glory, or climbing for free will ?

She holds a slumbering fire that is craving for emancipation.

This second choreographic research on the Myth of Androgynous (the origin of Eros as a platonic ideology ), What is left of us ?  is the memory of complicity in a delightful relationship that came to an end. 

Implicit issues such as lack of communication, lack of boundaries and self-confidence, victim/savior roles, or overload of attachment might complicate the story.

The performance Allegory of Decay is the metaphor of the human species that is common to its own loss. The femininity of the subject exacerbated, the fair becomes the object of idealization and lust, pushes the woman to its climax, and condemns her to her own disappearance.

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Referring to Pygmalion's syndrome, admiring his Galathée statue triggers the paradox of femininity which becomes an object of lusts and loses its first reproductive function.

The roses captured, faded, cut off from their vitality support the idea of a sterilized woman.

At the antipode of an incipient bud, the roses and the subject are crystallized. The annihilation is materialized by a black tarp void that over the performance comes to engulf the subject.

Our existence is as short as a flower that fades. Temporality diminishes us but subscribes to the acquisition of our full consciousness. We are the only directors of this nascent bud.

This raises a real question about the transience of things and the right measure.

Exaggerated femininity is not synonymous with hyper-sexualization.

From the birth of cellular life, we come into this world slowly remembering who we are.

Stardust from the Universe, ephemeral and eternal incarnations, the embodiment of infinitesimal possibilities of becoming.
Unfolding our existences, moments in movements.

Fugitive, elusive, and expressive substances that vanish away, yet diffuse their energetic propagations in space.

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The womb, void of existentialism perforated unveils an ego to its authenticity and reminiscence of its essence.

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The rebirth of pure consciousness ?

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​In order to seek some truth in our physical manifestation through the embodiment of movement, we must first explore introspectively our inner truth residing in the innermost part of our being - the authentic being. For this, we must reinvest the movement through a work of investigation and inner exploration.

Not dancing for the performative outcome but living a conscious experience, a journey through honest devotion into a process that is guiding the dancer to the so called "performative state". A solo based on a personal practice named « Transcendental Embodiment » from a movement research, the undeniable relationships between the tangible and intangibles bodies (physical, psychical & spiritual). ​​

Purification of the blemish to redefine ourselves below a new chance.

Analepse from its original sin. When Eve has the remembrance of the genesis. Back to the bygone era of this contemporary.

The apple is already on the ground. Fallen from the tree of knowledge.

DREAMS V is an immersive and participative performance in collaboration. An experimental and abstract exploration in improvisation with electronic music, dance, poetry, performing voices and music scores.

The atmosphere builds through the performance touches the concept of chance-control and indeterminacy. Created from decision making by the artists in collaboration who are correlating their improvisations.​