Projects & Creations

A woman, determined to uncover the hidden source of the mysticism awakening within her, embarks on a quest to understand this legacy. Her search leads her to a dusty family album filled with forgotten stories. Drawn into a quiet spiral, she feels the souls of her ancestors stirring within her, whispering lost knowledge and relics of bygone eras.

For the opening of the Maison Roshmode fashion show during Paris Fashion Week, this performance trailer features choreography by Tiffany, captured on film by videographer Alexandre Louiset.

The styling was created by Maison Roshmode, accompanied by original music composed by Stefan Wesolowski.

Danser Marie, danser la femme is a spiritual journey uniting song, dance, and prayer in honor of Holy Mary. It begins with a two-day retreat in the quiet village of Cenves, rooted in reflection and artistic practice.

From this experience emerge a series of Marian vigils held in local churches across the Beaujolais region. Produced by L'Incandescente Cie.

From the birth of cellular life, we come into this world slowly remembering who we are. Stardust from the Universe, ephemeral and eternal incarnations, the embodiment of infinitesimal possibilities of becoming. Unfolding our existences, moments in movements. The womb, void of existentialism perforated unveils an ego to its authenticity and reminiscence of its essence.​

A choreographic piece for intermediate-level contemporary dance students at the Maison Pour Tous du Pecq, inspired by the journey from primordial chaos to the emergence of harmony and consciousness, moving from the macroscopic scale, where cosmic forces and the movements of the universe unfold, to the infinitely sensitive realm of being.

This trailer presents a mystical dance of consecration from the Christian tradition, between ceremonial movement, dance as prayer, sung praise, and meditation leading to contemplative prayer. “To sing is to pray twice.” said Saint Augustine ; so, is dancing to pray three times? Performed at the Chemin Neuf community during an artistic and spiritual residency.

BEYOND is a journey to the frontiers of the visible and the invisible through shamanism and trance dance with the shaman Karine La Main Bienveillante.

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An homage to bureaucratic workers edging toward clinical depression. A woman wakes up every morning to fit into a capitalistic society. She holds a contained fire, craving emancipation. Teetering between reality and spontaneous imaginative breakdown, the piece asks: how can balance be found when the mind has been compressed by the conformity of folders?

This work explores the tensions of Eros. What Is Left of Us? unfolds as the lingering memory of complicity within a relationship that has come to an end. Implicit tensions, such as failures of communication, blurred boundaries, victim–savior dynamics, and the weight of anxious attachment, quietly permeate the narrative, complicating its emotional landscape.

Inspired by Pygmalion’s syndrome, the admiration of his Galatea statue exposes the paradox of femininity: heightened and exaggerated, it becomes a catharsis, transforming the fair into an object of idealization, desire, lust, and eventual destruction. Captured roses, withered and faded, symbolize the annihilation of a sterilized woman.

Purification of the blemish to redefine ourselves below a new chance.

Analepse from its original sin. When Eve has the remembrance of the genesis. Back to the bygone era of this contemporary.

The apple is already on the ground. Fallen from the tree of knowledge.

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This solo piece explores the tension between vulnerability, resilience, and power, the capacity to rise after a fall and to reinvent oneself through failure. Drawing inspiration from the myth of the androgynous in Greek mythology, it investigates the duality of being: wholeness and separation, the quest for self and the other.​

First turn inward, exploring the inner reality at the core of our being. This calls for reinvesting in movement as a practice of investigation and inner exploration. The goal is not to dance for performance, but to inhabit a conscious, phenomenological experience, a journey of sincere devotion guiding the dancer toward what is often called the performative state.

For the second time, Tiffany presented her choreographic work for the opening of the Maison Roshmode fashion show at Paris Fashion Week 2025. This trailer showcases an excerpt featuring styling by house and accompanied by original music composed by Dead Can Dance, highlighting the seamless interplay between movement and fashion.

This work is an immersive, participatory performance in collaboration.

An experimental, abstract exploration of improvisation with electronic music, dance, poetry, performing voices, and music scores. The evolving atmosphere engages with chance, control, and indeterminacy, shaped by the artists’ collaborative decisions and interconnected improvisations.